SPRANCAN ART;
Thames and Hudson, 1998. First Thus. Soft Cover. Photo-illustrated wrappers display mild wear to edges. Book body clean, tight and illustrated throughout. More about SPRANCAN ART
ART
JOHN CHAMBERLAIN: RECENT SCULPTURE;
New York: Pace Wildenstein, 1994. First Thus. Soft Cover. Brightly colored wrappers display light wear to edges and covers, corners neat, white titles on spine. Book body clean and illustrated throughout in color. More about JOHN CHAMBERLAIN: RECENT SCULPTURE
PATTY CHANG; SHANGRI-LA;
Los Angeles, Chicago, New York: Hammer Museum; Museum of Contemporar Art; New Museum of Contemporary Art, 2005. First Thus. Soft Cover. Illustrated wrappers display mild wear to edges,black titles on green spine. Book body clean and illustrated throughout. More about PATTY CHANG; SHANGRI-LA
JESSE CHAPMAN;
French West Indies: Me.di.um, 2006. First Edition/ Limited. Soft Cover. Illustrated wrappers display minimal wear. White titles on front cover and spine. Color photographs of artwork throughtout. Small chip missing from bottom tip of the corner of the last page. 1/1,000. More about JESSE CHAPMAN
ROMAN POTTERY;
London: Faber & Faber. First Thus. Cloth Covered Boards. Brick red cloth covered boards, corners straight. Library stamp to the full title page, book body otherwise clean. Green illustrated dust jacket with black titles displays moderate wear to edges, light sunning to spine with chipping to the head and tail... More about ROMAN POTTERY
SUBJECTS (THE) OF ART HISTORY;
Cambridge University Press, 1998. First Thus. Soft Cover. Blue illustrated wrappers display only mild rubbing to covers. Book body is clean, pages are bright and lightly illustrated in b/w. More about SUBJECTS (THE) OF ART HISTORY
PRINT / OUT;
New York: MoMA, 2012. First Thus. Soft Cover. Illustrated wrappers with black titles show minimal wear, corners neat. Book body clan, tight and illustrated throughout. More about PRINT / OUT
PETER CHEVALIER;
Berlin: Raab Galerie, 1983. First Thus. Stapled Soft Cover. Brown wrappers display mild wear, small blue sticker affixed to lower left corner of front cover, black titles, former ownera library blind stamp on title page, book body otherwsie clean, illustrated. More about PETER CHEVALIER
ART OF CHIODO;
Wildstorm Productions. First Thus. Paper Covered Boards. Grey textured paper covered boards, corners straight. Book body clean and heavily illustrated throughout, signed and numebred by the artist, limited edition. 7/1000 Illustrated dust jacket shows minimal wear to edges, price intact, archival brodart protected. Signed By Artist. More about ART OF CHIODO
HUMAN (THE) IMAGE: INGERMAN EXPRESSIONIST GRAPHIC ART FROM THE ROBERT GORE RIFKIND FOUNDATION;
Berkeley: University Art Museum, Berkeley, 1982. Limited. Soft Cover. Color illustrated paper wrapper titles in red and green, edge wear. Book body clean and tight, b/w illustration throughout. More about HUMAN (THE) IMAGE: INGERMAN EXPRESSIONIST GRAPHIC ART FROM THE ROBERT GORE RIFKIND FOUNDATION
CHRISTO: PROJECT FOR THE RIJKSMUSEUM KROLLER-MULLER, OTTERLO, HOLLAND;
Hatton Gallery, 1974. First Thus. Stapled Soft Cover. Illustrated white wrappers with black titles, light wear and sunning to edges and spine, soiling to rear cover.Book body clean, lightly illustrated, slim volume. More about CHRISTO: PROJECT FOR THE RIJKSMUSEUM KROLLER-MULLER, OTTERLO, HOLLAND
COLOUR ME BLIND! MALEREI IN ZEITEN VON COMPUTERGAME UND COMIC;
Koln: Verlag Der Buchhandlung Walther Konig, 1999. First Thus. Self-Wraps. Color illustrated paper wrapper, titles in red and blue, mild edge wear, spine uncracked. Book body clean and tight, color photo illustration throughout, bilingual text in English and German. More about COLOUR ME BLIND! MALEREI IN ZEITEN VON COMPUTERGAME UND COMIC
FIVE NOTES ON THE WORK OF LOUISE BOURGEOIS;
New York: Cheim & Reed, 1998. First Thus. Cloth Coverd Boards. Beige cloth covered boards, titles in blue on white paper label, titles in blue at spine, very mild edge wear. Book body clean and tight, b/w and color photo illustration throughout, text in French and English. More about FIVE NOTES ON THE WORK OF LOUISE BOURGEOIS
NUDE, THE: A STUDY IN IDEAL FORM;
Princeton, NJ: Princeton Univ. Press, 1971. Fourth Printing. 1/4 Cloth. black 1/4 cloth at spine, reddish brown cloth-covered-boards, with gold titles on front and spine, light edgewear, corners gently bumped and rubbed. book body clean with black and white images, "ex libris ralph gibson" stamped on front free-end-paper.gray and white... More about NUDE, THE: A STUDY IN IDEAL FORM
DEFINING THE NINETIES: CONCENSUS-MAKING IN NEW YORK, MIAMI, AND LOS ANGELES;
Miami: Museum of Contemporary Art, Miami, 1996. First Thus. Soft Cover. Color photo-illustrated wrappers display light wear and mild soiling. Photo and blue titles on front cover. Blue titles on spine, head and tail display slight wear. Book body clean, color and b/w photography of art throughout. More about DEFINING THE NINETIES: CONCENSUS-MAKING IN NEW YORK, MIAMI, AND LOS ANGELES
DOT DRAWIING; 1973 TO 1975
Laguna Gloria Art Museum, 1975. First Thus. Stapled Soft Cover. B/w illustrated wrappers with black titles, light creasing to spine. Book body clean illustrated in b/w. More about DOT DRAWIING; 1973 TO 1975
ASHES AND SNO BOOK NO. 1;
New York: Flying Elephants Press, 2005. First. Paper. Rustic thick paper wrappers with bamboo and string attached to front flap. Blind stamp of title on front cover.along with small photograph. Book body is clean with black and white illustrations throughout. Art exhibition catalogue. More about ASHES AND SNO BOOK NO. 1
ASHES AND SNOW BOOK NO. 5;
New York: Flying Elephants Press, 2005. First. Paper. Rustic thick paper wrappers with bamboo and string attached to front flap. Blind stamp of title on front cover.along with small photograph. Book body is clean with black and white illustrations throughout. Art exhibition catalogue. More about ASHES AND SNOW BOOK NO. 5
INTERNAL DIGGING;
Walther Konig, Koln, 2008. First Thus. Soft Cover. Illustrated wrappers display minimal wear, book still in shrink wrap. More about INTERNAL DIGGING
MAN (THE) OF SORROW;
Cranbury, New Jersey, U.S.A. Distributed Art Pub Inc, 1998. Limited Edition. Paper Covered Boards. Limited edition 419/2000. Black paper covered boards, small illustration in gold, mild edge wear. Book body clean and tight, color illustration tipped in. More about MAN (THE) OF SORROW
ORIGINAL SIN: THE VISIONARY ART OF JOE COLEMAN;
New York: Heck Editions, 1997. First Printing. Soft Cover. Illustrated wrappers display minimal wear. White, yellow and red titles on front cover, corners neat. Book body clean and tight, heavily illuatrated in color throughout. Signed by the artist on the half title page. Signed by Artist. More about ORIGINAL SIN: THE VISIONARY ART OF JOE COLEMAN
NATHAN COLEY;
Scotland: Mount Stuart, 2006. First Thus. Soft Cover. Blue and white wrappers display mild wear to edges and covers, corners neat. Book body clean and illustrated throughout. More about NATHAN COLEY
The Omega Workshops;
Chicago, Illinois, U.S.A. Univ of Chicago Press, 1984. Cloth Covered Boards. black cloth-covered-boards with gold titles on spine, light wear with spine faintly cocked. book interior clean and tight, except for white bookplate sticker on front end-paper, black and white photo plates. black and red pictorial dj with white titles..... More about The Omega Workshops
5 USES OF SPACE;
Artiscope, 1993. First Thus. Stapled Soft Cover. Orange flecked wrappers with black titles display mild wear to edges. Book body clean and illustrated. More about 5 USES OF SPACE
ARCHITECTURE (THE) OF DISTRACTION;
Griffin, 2006. First Thus. Soft Cover. Red wrappers with white titles show minimal wear, book body clean, tight and illustrated. More about ARCHITECTURE (THE) OF DISTRACTION